6x6" handpulled drypoint in acrylic

Made during the early days of COVID, when the studios and presses were closed and printmaking had to be reinvented on a kitchen table.

plate instead of copper, hand pressure instead of a press, the stylus fighting the material the whole way.

The remote control itself, mundane and overlooked until it became one of the only objects still in constant use, sketched out in the same tentative, searching line that marks the whole series.

This piece is where the House Series actually starts, before I knew it was a series, back when the question was just how to keep working with what was left in the house.